Childish Inspiration

> I live on a hill. And at the bottom, around the corner, is an elementary school. Every morning, I can hear kids on their way to school, wheels bump-bumping on the sidewalk cracks as they ride down the hill as fast as they dare, riding bikes, scooters, and anything with wheels. I love to hear the imagination in the happy screams, "I'm flying!", or "I'm Superman!", or my favorite from a grade-schooler, "I'm going faster than the speed of light!"

> Our deck overlooks the large playground, and sometimes my husband and I eat our lunch outside, and get a kick out of watching the kids play. It's amazing how imaginative they are. They decide "what they are going to be" during recess, a bunch of other kids join in the role-play, and they all have a great time.

> I've heard that children are able to create freely for a certain period of time, then they start creating based on others' expectations, or from learned application, and at that point, the "magic" is gone. 

> In witnessing the freedom in the way these kids play, I wonder: if we could all let go, and not care what others else think of our imagination, or how we play in our free time, would it enhance our creativity and inspiration when it comes time to be creative for work? Maybe I need to borrow a scooter and find out.

Good Enough to Eat

> I am jealous of some peoples' creativity. I think anyone who remembers how fun it was to make macaroni necklaces as a child will love the creativity, and how much fun designer Marian Bantjes had finding just the right pasta shapes to create this amazing work of "noodle-art". Deliciously beautiful!

Photo or Not?

> I've been sending out a monthly email newsletter for about a year and a half now, and I stick to a few things that were important to me to incorporate: I intentionally keep the text short and simple; I stay consistent—making sure to send it out about the same time each month, every month; and, of course, I try to make it visually interesting.

> I check out other email newsletters, to see how mine compares. To see if there are things I could and should improve. I ran across an article with 10 tips, some that I hadn't considered. One of those things suggests to include a photo of myself. I don't use a photo of myself, and while the reason for doing it is a good one, (potential clients feel more like they know you), I don't have a photo of myself on my web site either. 

> It made me think...does it matter what I look like? Is my appearance a deal-maker or breaker? I've always been perplexed by the realty industry. Why DO they have photos on their business cards? I'm pretty sure that whatever reason they include it, could be applied to most careers, and I'd be curious to know the stats—does including the photo really help their business? Does it make people trust them, or feel like they know them? If it really does achieve those things, then shouldn't everyone, regardless of profession, include a photo of themselves on their cards? 

> I guess I'm skeptical about what it really accomplishes in most cases. A good exception? A model! Someone whose business truly IS the way they look, that's a business card that really could benefit from a personal photo!

Coveting Carpet

> I was in Vegas for a couple days last week. Went into this fabulous book store called Assouline. Very elegant, wonderful coffee table style books, collections, and installations. We spent a good amount of time looking at everything. I'd love to design books for them! My favorite thing in the whole store though, was their carpet. Yes, the carpet. The photo explains everything.

When to Spend

> I'm working on a branding project for a client's new business. A new business-owner in the current economy needs to be cautious. There are ways to spend less when you're putting together your identity materials, but there are also places where you should spend a little more. And the distinction between them can make a big difference.

> My client and I are currently discussing some specialty printing techniques that will cost more that typical offset printing, and a lot more than digital printing. Not that there's anything wrong with either—I use both on a regular basis and feel confident that for most projects they are a great way to go. But there are some times that it's appropriate, even necessary, to increase the production budget, in order to project the right message.

> You have to consider your audience, and the "lifespan" of the piece, along with the price. My client's target audience is high-end: people with a lot of money who are looking for investment advice. They are well aware of quality when they see and feel it, so spending a little extra money will go a long way when they feel a heavier stock, or the texture of a letterpress or embossed business card. The tactile quality of a well-considered business card makes the statement: "The person who gave me this card knows obviously what quality is. They know the value of things, and they are more likely to be knowledgeable in the areas of money and finance. We probably think alike, and they are probably like me in some ways, so I can probably trust them." If something "feels" more substantial, more "important", it's more likely that the recipient will think those same positive thoughts about the company. And they will likely keep the card. It doesn't feel "cheap", or like junk, so it's a bigger decision to throw it away. And a card that someone keeps, means you're more likely to come to mind when they're looking for a service you provide.

> I've heard, (and I believe it in this case), "you gotta put money in, to get money out."

Creativity Blockers

> I recently ran across a folder of things I have been saving for "something". A lot is outdated and now fills my trash can, but there are a few gems that I will keep. One of them is a handout I saved from one of my first art classes in college. I couldn't find it online anywhere, so I'm sure who to give authorship to, but I want to share it anyway.

> The Ten Commandments That Block Creativity

   1)  Everything thou doest must be useful

   2)  Everything thou doest must be successful

   3)  Everything thou doest must be perfect

   4)  Everyone thou knowest must like thee

   5)  Thou must not prefer solitude to togetherness

   6)  Remember concentrated attention and keep it holy

   7)  Do not diverge from culturally imposed norms

   8)  Thou shat not express excessive emotional feeling

   9)  Thou shalt not be ambiguous

   10)  Thou shalt not rock the cultural boat

> As  highly disciplined person, I find myself following more of these intuitively, rather than realizing they may stunt my creativity, so for me, it helps open my mind and be more creative when I focus on a few of them to slack on.> What about you? Which of these things do you do? If you allow yourself some leeway, how does it affect your creativity?

Better Way to Pay

> I recently spoke to a potential client. He wanted to know what I charge by the hour. I learned a long time ago, that's the kind of question that can ruin the chance to even be asked to submit a proposal for a design project. 

> I explain that I don't charge by the hour for my work. Here's what I do: I review the project, and submit a price for what it will take to come up with a creative solution from start to finish. If someone charges a dollar amount per hour, doesn't that give him incentive to work more slowly, so he makes more money? That doesn't seem right to me! I picture the person who moves like molasses, and my thought is, "he must be paid by the hour." 

> In my proposal, I say: "Here's what it will cost to complete your project, with these parameters (which I list). If the parameters change, so will the cost, and I'll let you know before proceeding if your requests will affect the price." Doesn't that give me incentive to work faster? You bet it does! Then we're both happy with the project, the timeline and the price.

> When I explain it this way, I get a lot of very positive responses, that this seems like a much better way to handle it. I think so!